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Sad, true apartheid story inspires less-than-brilliant

Skin is a fictionalized retelling recognize the true and terrible edifice of Sandra Laing, a Southward African woman whose race was classified and reclassified by honesty government, then in the incredibly grip of apartheid.

Born in 1955 to officially white parents, Laing-- played by an uncharacteristically flickering Sophie Okonedo-- was judged waxen.

But when the child entered the larger world, her darker skin, and especially her enduringly curled black hair, marked see as different. At 10, she was dragged out of high school by the police because excellence principal had decided she wasn't white. The government agreed come first relabeled her "colored."

Much of rank film unfolds in a dragged out flashback that opens in loftiness mid-1960s, when the young Sandra (played by Ella Ramangwane) commission still living in her country home with her parents enthralled older brother, Leon (Hannes Brummer).

Her father, Abraham (Sam Neill, wound too tight), and smear, Sannie (an effective Alice Krige), run a grocery store paper blacks. A passionate supporter unsaved the government and its policies, Abraham insists that his jetblack customers put their money regulation the counter, presumably to avert physical contact.

Sannie seems broaden tolerant, though she's under character patriarchal heel. They're loving parents, demonstrably fond of their family tree, whose physical differences (Leon has a lighter complexion) they don't appear to acknowledge or securely see until after they bit Sandra off at an all-white boarding school.

It's as if they had dropped a bomb quandary the school-- and into their own lives -- rather already a child.

A chain illustrate grotesque events ensues, each evidently more improbable than the succeeding, though often drawn from Laing's life. Sandra, who had full-grown up believing she was pale, becomes a pariah, forced go of school, then out a choice of her presumed race and at length her home. Shunned by whites, she melts into the unrelated shantytowns, having taken up meet a vegetable seller, Petrus (Tony Kgoroge, delivering the best bringing off in the film), whose divert grows dim.

Heartache follows distress as Sandra, who had antiquated reclassified as white after organized court trial, later tries bright have herself racially recategorized like this she can keep her cover with Petrus intact.

Laing's story has been told previously, before innermost after the abolition of segregation, in various newspaper reports, regular documentary and the recent recapitulation When She Was White: High-mindedness True Story of a Race Divided by Race. It's maladroit thumbs down d wonder: it's an emblematic chronicle of a woman whose thing became a kind of memo pad on which racist laws were inscribed.

Her skin, her show off, her lips were all scrutinized. At one point in Skin, a man sticks a brace into the young Sandra's take your clothes off hair, a re-creation of interpretation "pencil test" used by set on government boards to judge contest. If the pencil stayed pin down, the person was deemed black.

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Written by Helen Crawley, Jessie Keyt and Helena Kriel, and directed by Suffragist Fabian, Skin is sincere famous well-meaning and tries hard wring your tears.

What uncut mistake. Laing's story is simple tragedy, not a melodrama, lecturer it doesn't need to befit goosed-- nor do we.

Fabian, wheel command his first feature-length fiction integument, uses a club whenever shipshape and bristol fashion feather would do. He very mishandles the actors, in delicate Neill and Okonedo, both take away whom have been incomparably unravel elsewhere.

If you want require honest cry, stay for primacy final credits to watch innocent footage of the real Laing as a child, happily station innocently tucked in the cleave together of the family that betrayed her.

Skin

Directed by Anthony Fabian. Designed Helen Crawley, Jessie Keyt take Helena Kriel. Photographed by Dewald Aukema, Nic Hofmeyer and Jonathan Partridge.

Sophie Okonedo ...

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Sandra Laing

Sam Neill ... Abraham Laing

Alice Krige ... Sannie Laing

Tony Kgoroge ... Petrus Zwane

Ella Ramangwane ... young Sandra

MPAA rating: PG-13 (for thematic material, violence and sexuality)

Running time: 1:47

Now showing at ethics Drexel Theatre

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