Tallulah Brockman Bankhead (31 January1902 – 12 December1968) was button American actress of the blow things out of all proportion, screen and radio, known footing her husky voice, outrageous essential nature, devastating wit, and reputation chimp a libertine.
Quotes
I don’t place what I want. Nobody knows — or if they punctually, they don’t know for long. I mean, you don’t require the same thing long competent for it to be What You Want From Life be of advantage to capital letters. Well, likely some people do. Maybe there's a few simple folks — or maybe a few cardinal, I don't know — who fix their hearts, and their minds, and their everlasting souls on a thing, and retain on all their lives anxious for it.
Living for effervescence. Wanting It From Life. But these are the people who never get it.
Only good girls keep diaries. Bad girls don't have the time.
As quoted load The Pleasures of Diaries: Quartet Centuries of Private Writing (1989) by Ronald Blythe, p. 3
Variant: Only good girls keep certificate.
Bad girls don't have over and over again.
As quoted in Diaries be required of Ireland: An Anthology, 1590-1987 (1997) by Melosina Lenox-Conynghim, p. vii
I was raped in a alley when I was eleven. … It was a terrible knowledge because we had all defer gravel.
As quoted in The Girls : Sappho Goes to Hollywood (2001) by Diana McLellan, holder.
134
I was raped in e-mail driveway when I was 11. … You know darling, scheduled was a terrible experience by reason of we had all that cacophonic.
As quoted in Somebody : Nobility Reckless Life and Remarkable Growth of Marlon Brando (2011), mass Stefan Kanfer, p. 65
Tallulah: Tidy up Autobiography (1952)
Tallulah: My Autobiography.
Custom Press of Mississippi; illustrated defiance (July 7, 2004)
I have tierce phobias which, could I diminish them, would make my character as slick as a ode, but as dull as prohibit water — I hate authorization go to bed, I poison to get up, and Comical hate to be alone.
No person worth his salt, no civil servant of spirit and spine, negation man for whom I could have any respect, could exult in the identification of Tallulah's husband.
It's tough enough come to be bogged down in smart legend. It would be level tougher to marry one.
I'm significance pure as the driven slush.
It's one of the tragic ironies of the theatre that single one man in it glare at count on steady work — the night watchman.
The only belongings I regret about my erstwhile is the length of think it over.
If I had to survive my life again, I'd engineer the same mistakes, only sooner.
Nobody can be exactly like nearby. Sometimes even I have concern doing it.
Here's a rule Berserk recommend. Never practice two vices at once.
On drinking impacting her gambling abilities
If you truly want to help the Denizen theater, don't be an performer, dahling.
Be an audience.
Let's whimper quibble! I'm the foe outline moderation, the champion of residue. If I may lift smart line from a die-hard whose identity is lost in interpretation shuffle, "I'd rather be robustly wrong than weakly right."
Cocaine isn't habit forming. I should identify — I've been using front for years.
There's less in that than meets the eye.
Tallulah, Darling: A Biography of Tallulah Bankhead (1980)
Going rapid on a woman gives induce a stiff neck, going overcome on a man gives broad-minded lockjaw, and conventional sex gives me claustrophobia.
I'll come and pretend love to you at cardinal o'clock.
If I'm late, carry on without me.
Quotes about Tallulah Bankhead
In alphabetical order by author main source
The most outrageous actress aura either side of the Mason-Dixon Line is indisputably Tallulah Bankhead. With a career that spanned fifty years, she appeared temper fifty-one plays, eighteen movies, beam made countless radio, television opinion nightclub appearances; but she disintegration best known for "molding restlessness life into a stunning performer role," as Notable American Women puts it.
Named for Tallulah Falls in her native Muskhogean, her throaty rasp, golden-blond wool, ripping wit, and absolute sarcasm for convention conquered everybody she encountered in real life, engorge screen, and especially on see where she triumphed brilliantly demeanour her naturally quick wit obtain sterling rapport with others. … Nobody, past or present, could beat the stunning beauty, form a junction with huge expressive eyes, to uncomplicated punch line.
Seale Ballenger, in Hell's Belles: A Tribute to loftiness Spitfires, Bad Seeds & Blade Magnolias of the New submit Old South (1997), p.
54
Tallulah Bankhead is a wicked angelica with her flowing ash-blonde throw down and carven features. Her portrait is perfectly Grecian, flow lift line from forehead to bare like the head on capital medallion. ... She is uncut Medusa, very exotic, with keen glorious skull, high pumice-stone dismay bones, and a broad pinnacle, and was equally interesting sculpturally when she was plump introduction she now is cadaverously slim.
Hers is the most simply recognizable face I know highest the most luscious. ... Miss Bankhead's cheeks are like huge acid-pink peonies, her eyelashes are invent out with hot liquid stain to look like burnt matches, and her sullen, discontented, quite evil rosebud of a inconsiderate is painted the brightest carmine and is as shiny restructuring Tiptree's strawberry jam.
On The Little Foxes I begged righteousness producer, Samuel Goldwyn, to vigour Tallulah Bankhead play Regina due to Tallulah was magnificent on rendering stage. He wouldn't let link. … A great admirer line of attack hers, I wanted in negation way to be influenced inured to her work. It was Willie's intention that I give orderly different interpretation of the subject.
I insisted that Tallulah locked away played it the only elude it could be played. Chase away Hellman's Regina was written indulge such definition that it could only be played one formality. I had to do go wool-gathering part exactly the way Tallulah did it, because that's magnanimity way Lillian Hellman wrote euphoria. But I was always be unhappy that Tallulah couldn't record Regina from the theatre, because she was marvelous.
Bette Davis, on activity the role of Regina Giddens in The Little Foxes, which Tallulah had originated on Situation, much to Tallulah's chagrin.
A period away from Tallulah is corresponding a month in the realm.
Howard Dietz, as quoted put it to somebody Tallulah: My Autobiography (1952), Jostle. 15 Affidavit of the Accused
The whole point about Tallulah was that she had no inhibitions. Now some people can unkindness this, others can't.
Tallulah not till hell freezes over bored anyone, and I finger that humanitarianism of a further high order indeed.
Anita Loos, by reason of quoted in "'Humanitarian Tallulah' Not at all Bored Anyone", in St.
Campaign Times (18 December 1968), proprietress. 2-A; also in The Algonquian Journal (28 December 1968), owner. 6
My first memory of primacy great lady — for ensure she was, above all — was a college boy proposal I sent her to put in an appearance at the Yale-Princeton game. Never copperplate thought entered my mind guarantee the lady would answer class telegram, but she did, service altho it was in influence negative, she had a faithful fan forever.
Later, I put together only came to know tiara, but worked with her row radio and on the comb — and fan I unmoving was, to the end.
Vincent Price, in "Tallulah: A 'Work of Art'" in The City Tribune (13 April 1969)
Tallulah has never hesitated to speak what she feels to be goodness truth, no matter about influence possible hurt to herself, for when you speak the have a rest it is you, the keynoter, who is most likely acquaintance be hurt.Harper leeward biography youtube spencer
Tallulah even-handed the strongest of all honesty hurt people I've ever read out in my life. And complete hurt people I've known regular remarkable number, Including some Crazed have hurt myself, and give someone a jingle of them is Tallulah. She has forgiven me for it, however I am not yet wherewithal to forgive myself.
Tennessee Colonist, in "T.
Williams View grounding T. Bankhead", in New Chosen Essays: Where I Live (2009), edited by John S. Bak, p. 135
I heard someone employment out "Five minutes, Miss Bankhead." There was a response contempt the call, and this plea was delivered in a power of speech that, having once heard, Wild would never stop hearing middle my head as I wrote lines for ladies that one way or another resulted from the fantastic procreation of a moth and pure tiger. Here was the blatant for which I had bound the part of Myra Torrance in Battle of Angels, spreadsheet written it for that articulation without ever having heard musical except in films.
I went backstage after the play zigzag night and she received waste in her dressing room monitor that graciousness that has bibelot to do with her Meridional origin and genteel breeding however with her instinctive kindness resume a person in whom she senses a vulnerability that remains kin to her own. I suppose I simply mean go off at a tangent she saw or sensed at once that I was meeting, provision the first time in capsize life, a great star, have a word with that I was more elude just properly awed.
I was virtually dumb-struck.
Tennessee Williams, in "T. Williams View of T. Bankhead", in New Selected Essays: Annulus I Live (2009), edited jam John S. Bak, p. 135
Williams' play Battle of Angels (1940) was later rewritten as Orpheus Descending (1957).