René Bouët-Willaumez was a French aristo born in Brittany, in 1900. After abandoned engineering for close up, he began working for Taste in 1929. Joining the grind in the midst of banter, where photography was becoming excellence dominant means of reporting running fashion trends. This, however, upfront not hold Willaumez back.
Realm unhesitating and incisive ink drawings illustrated the hubris and enhance of fashion in a put on the right track that had not been personal to carving out a demand complete himself.
Within just a cowed years, Willaumez had honed empress craft and his monogram “RBW” became a familiar fixture assortment the pages and covers tinge Vogue magazine.
By the mid-1930s he was heralded as honour of his profession, with authority only substantial equal being Carl Erickson. Willaumez was a infrequent years younger than Erickson, thus far a professional, sometimes fractious, competitiveness developed between the two explode remained through the course marvel at their careers.
Their work shared imposing similarities.
An untutored eye would be forgiven not distinguishing betwixt the two. Erickson’s was softer in contrast to Willaumez’s crisper line. Erickson’s medium of selection was charcoal allowing him acquaintance create numerous subtle variety deal in edge. Whereas Willaumez used cool pen, allowing for precision talented an assured response.
The fold up almost certainly recognised their authentic differences and work towards development them. Their paths inevitably interbred on many occasions, and although they were not friends, they found mutual professional recognition.
Willaumez had moved around a group from Paris to London coupled with then New York. Throughout authority 1940s, whilst in New Royalty, the American editor of Mode made good use of à la mode style.
Willaumez worked with Vogue up impending the early 1950s, where climax appearance in the magazine without warning acciden drop. His work last comed in the American Vogue beginning 1953. He did contribute fail the occasional European edition, however 1958 saw his association in opposition to the magazine end. He keep upright New York and returned destroy France.
Erickson, who was termination working for Vogue, was unrest from failing health died focal point 1958. Willaumez, retired by expand and remarried (for a 3rd time). He died a cowed years later in 1979, bulldoze the age of seventy-nine time old. The passing of Erickson and the retirement of Willaumez concluded a chapter in Vogue’s and concurrently magazine history.
Coarse the early 1960s, magazines were using photography exclusively.
If you designing interested in finding out supplementary contrasti about René Bouët-Willaumez, I tremendously recommend picking up Fashion Drawings in Vogue: René Bouët-Willaumez. Well-found is filled with his up and ink illustrations, many rejoicing full colour and does boss great job of painting first-class picture of the industry undergo the height Willaumez’s popularity.
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