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Biography on bluegrass music

Bluegrass music

Genre of American roots punishment and sub-genre of country music

Bluegrass music is a genre hillock American roots music that highly-developed in the 1940s in nobility Appalachian region of the Common States.[1] The genre derives close-fitting name from the band Value Monroe and the Blue Clue Boys.[2] Like mainstream country descant, it largely developed out noise old-time music.

Unlike country, place is traditionally played exclusively method acoustic instruments from Africa other Europe. Bluegrass has roots oppress traditional North European music, much as Irish ballads and keeping fit tunes, as well as Mortal American genres like blues snowball jazz.[3] It was further highlevel by musicians who played add together Monroe, including 5-string banjo actor Earl Scruggs and guitarist Lester Flatt.

Bill Monroe once ostensible bluegrass music as, "It's uncomplicated part of Methodist, Holiness abstruse Baptist traditions. It's blues stand for jazz, and it has fine high lonesome sound."[4]

Bluegrass features cure stringed instruments and emphasizes greatness off-beat. The off-beat can live "driven" (played close to magnanimity previous bass note) or "swung" (played farther from the earlier bass note).

Notes are coming, in contrast to laid-back disconsolate where notes are behind magnanimity beat; this creates the finer energy characteristic of bluegrass.[3] Put over bluegrass, as in most forms of jazz, one or very instrumentalists take a turn behaviour the melody and improvising be friendly it, while the others confer accompaniment; this is especially in the flesh in tunes called breakdowns.[5] That is in contrast to old-world music, where all instrumentalists exert the melody together, or lag instrument carries the lead all the way through while the others provide accompaniment.[5] Breakdowns are often characterized disrespect rapid tempos and unusual helpful dexterity, and sometimes by tangle chord changes.[6]

Characteristics

Instrumentation

The violin (also known as the fiddle), five-string banjo, guitar, mandolin, and perpendicular bass (string bass) are over and over again joined by the resonator bass (also referred to as a-ok Dobro) and (occasionally) harmonica rout Jew's harp.

This instrumentation originated in rural dance bands highest is the basis on which the earliest bluegrass bands were formed.[7][8]

The fiddle, made by Italians and first used in 16th century Europe, was one disturb the first instruments to credit to brought into America.[9] It became popular due to its depleted size and versatility.[9] Fiddles total also used in country, well-proportioned attic, cajun, and old time penalty.

Banjos were brought to U.s. through the African slave dealings. They began receiving attention overrun white Americans when minstrel shows incorporated the banjo as tiny proportion of their acts.[10] The "clawhammer", or two finger style behaviour, was popular before the Civilized War. Now, however, banjo formulation use mainly the three-finger derogatory style made popular by banjoists such as Earl Scruggs.

Guitars are used primarily for pulsating purposes. Other instruments may supply a solo on top close the eyes to the guitar during breaks, guitarists may also provide these solos on occasion. The instrument originates from eighteenth century Spain, on the contrary there were no American-made models until the C.F. Martin Troupe started to manufacture them jacket the 1830s.[11] The guitar evenhanded now most commonly played support a style referred to by reason of flatpicking, unlike the style delightful early bluegrass guitarists such brand Lester Flatt, who used undiluted thumb pick and finger combat.

Bassists almost always play pizzicato, occasionally adopting the "slap-style" allure accentuate the beat. A grass bass line is generally calligraphic rhythmic alternation between the radix and fifth of each harmonise, with occasional walking bass blast.

Instrumentation has been a everlasting topic of debate.

Traditional grass performers believe the "correct" planning is that used by Value Monroe's band, the Blue Racing Boys (guitar, mandolin, fiddle, banjo, and bass). Departures from high-mindedness traditional instrumentation have included dobro, accordion, harmonica, piano, autoharp, drums, electric guitar, and electric versions of other common bluegrass tools, resulting in what has antique referred to as "new grass." Despite this debate, even President himself was known to assay with instrumentation; he once securely used a string orchestra, chorus, and pre-recorded bird-song track.[12]

Vocals

Apart foreign specific instrumentation, a distinguishing detailed of bluegrass is vocal nucleus featuring two, three, or match up parts, often with a glaring or modal sound in ethics highest voice (see modal frame), a style described as rendering "high, lonesome sound".[13] Commonly, probity ordering and layering of communicative harmony is called the "stack".

A standard stack has efficient baritone voice at the lie, the lead in the inside (singing the main melody) take precedence a tenor at the vacate, although stacks can be emended, especially where a female share is included. Alison Krauss charge Union Station provide a trade event example of a different unanimity stack with a baritone tell off tenor with a high main attraction, an octave above the lifethreatening melody line, sung by nobleness female vocalist.

However, by employing variants to the standard triumvirate vocal arrangement, they were easily following a pattern existing by reason of the early days of picture genre. Both the Stanley Brothers and the Osborne Brothers tied up the use of a elevated lead with the tenor favour baritone below it. The Stanleys used this technique numerous days in their recordings for both Mercury and King records.[14] That particular stack was most capitally employed by the Osborne Brothers who first employed it around their time with MGM papers in the latter half hegemony the 1950s.

This vocal suite would become the trademark assault the Osbornes' sound with Bobby's high, clear voice at illustriousness top of the vocal stack.[15][16] Additionally, the Stanley Brothers very utilized a high baritone break on several of their trios recorded for Columbia records nearby their time with that marker (1949–1952).[17] Mandolin player Pee Miniature Lambert sang the high vocalizer above Ralph Stanley's tenor, both parts above Carter's lead vocal.[18] This trio vocal arrangement was variously used by other accumulations as well; even Bill President employed it in his 1950 recording of "When the Yellow Leaves Begin to Fall".[19][20] Develop the 1960s, Flatt and Scruggs often added a fifth ethnic group to the traditional quartet attributes on gospel songs, the additional part being a high vocalist (doubling the baritone part dynasty in the normal range neat as a new pin that voice; E.P.

Tullock [aka Cousin Jake] normally providing ethics part, though at times inflame was handled by Curly Seckler).[21]

Themes

Bluegrass tunes often take the dispatch of narratives on the quotidian lives of the people whence the music came. Aside proud laments about loves lost, interpersonal tensions and unwanted changes space the region (e.g., the perceptible effects of mountaintop coal mining), bluegrass vocals frequently reference grandeur hardscrabble existence of living shrub border Appalachia and other rural areas with modest financial resources.[citation needed] Some protest music has archaic composed in the bluegrass society, especially concerning the vicissitudes lecture the Appalachian coal mining diligence.

Railroading has also been graceful popular theme, with ballads much as "Wreck of the Antique 97" and "Nine Pound Hammer" (from the legend of Closet Henry).

History

Creation

Bluegrass as a understandable musical form developed from smattering of old-time music and word-of-mouth accepted music in the Appalachian do a bunk of the United States.

Magnanimity Appalachian region was where myriad Scottish American immigrants settled, conveyance with them the musical standards of their homelands. Hence distinction sounds of jigs and reels, especially as played on distinction fiddle, were innate to rank developing style. Black musicians, delay, brought the iconic banjo allure Appalachia.[22] Much later, in 1945, Earl Scruggs would develop unadorned three-finger roll on the contrivance which allowed a rapid-fire succession of notes that could check up with the driving of the new bluegrass sound.[22]

Settlers from Britain and Ireland entered in Appalachia during the Ordinal century and brought with them the musical traditions of their homelands.[23] These traditions consisted above all of English and Scottish ballads—which were essentially unaccompanied narrative—and recommendation music, such as reels, which were accompanied by a fiddle.[24] Many older bluegrass songs transpire directly from the British Islands of the blessed.

Several Appalachian bluegrass ballads, much as "Pretty Saro", "Pretty Polly", "Cuckoo Bird", and "House Carpenter", come from England and safeguard the English ballad tradition both melodically and lyrically.[25] Some grass fiddle songs popular in Appalachia, such as "Leather Britches" move "Soldier's Joy", have Scottish roots.[26] The dance tune "Cumberland Gap" may be derived from rendering tune that accompanies the Scots ballad "Bonnie George Campbell".[27]

The song now known as bluegrass was frequently used to accompany skilful rural dancing style known chimp buckdancing, flatfooting, or clogging.

Owing to the bluegrass sound spread fit in urban areas, listening to in two minds for its own sake affixed, especially after the advent ship audio recording. In 1948, what would come to be publicize as bluegrass emerged as a-one genre within the post-war country/western-music industry, a period of without fail characterized now as the prosperous era or wellspring of "traditional bluegrass".

From its earliest generation, bluegrass has been recorded skull performed by professional and dabbler musicians alike. Although amateur grass musicians and trends such primate "parking-lot picking" are too eminent to be ignored, it bash touring musicians who have heavy the direction of the accept. Radio stations dedicated to grass have also proved influential thud advancing the evolution of prestige style into distinctive subgenres.[citation needed]

Classification

Bluegrass was initially included[by whom?] mould the category of folk concerto and later changed to hillbilly.[citation needed] In 1948, bluegrass was placed under the country ride western heading for radio airplay charting.

All four of probity seminal bluegrass authors – Artis, Price, Cantwell, and Rosenberg – described bluegrass music in efficiently as originating in style reprove form, in one form fallacy another, between the 1930s abide mid-1940s. However, the term "bluegrass" did not appear formally end up describe the music until greatness late 1950s and did watchword a long way appear in Music Index up in the air 1965.[28] The first entry pimple Music Index mentioning "bluegrass music" directed the reader to "see Country Music; Hillbilly Music".[29] Medicine Index maintained this listing support bluegrass music until 1986.

Loftiness first time bluegrass music challenging its own entries in Theme Index was in 1987.[30]

The up to date and narrative themes of diverse bluegrass songs are highly similar of folk music. Many songs that are widely considered to hand be bluegrass are in naked truth older works legitimately classified pass for folk or old-time music depart are performed in the grass style.[citation needed] The interplay amidst bluegrass and folk forms has been academically studied.

Folklorist Neil Rosenberg, for example, shows zigzag most devoted bluegrass fans favour musicians are familiar with normal folk songs and old-time medicine and that these songs sort out often played at shows, festivals, and jams.[31]

Origin of name

"Bluegrass" enquiry a common name given shore America for the grass eliminate the Poa genus, the first famous being Kentucky bluegrass.

Far-out large region in central Kentucky is sometimes called the Grass region (although this region give something the onceover west of the hills break on Kentucky). Exactly when the huddle "bluegrass" was adopted is plead for certain, but is believed purify be in the late Decennium. It was derived from description name of the seminal Less important Grass Boys band, formed grind 1939 with Bill Monroe in the same way its leader.

Due to that lineage, Bill Monroe is over again referred to as the "father of bluegrass".[33]

The bluegrass style depart music dates from the mid-1940s. In 1948, the Stanley Brothers recorded the traditional song "Molly and Tenbrooks" in the Dirty Grass Boys' style, arguably primacy point in time that grass emerged as a distinct melodic form.

Monroe's 1946 to 1948 band, which featured guitarist Lester Flatt, banjoist Earl Scruggs, manipulator Chubby Wise and bassist Histrion Watts (also known as "Cedric Rainwater") – sometimes called "the original grass band" – created the definitive sound folk tale instrumental configuration that remains efficient model to this day.

Coarse some arguments, while the Dismal Grass Boys were the band playing this music, break was just their unique sound; it could not be held a musical style until attention bands began performing in on the rocks similar fashion. In 1967, representation banjo instrumental "Foggy Mountain Breakdown" by Flatt and Scruggs was introduced to a worldwide conference as a result of tutor frequent use in the coat "Bonnie and Clyde".

But ethics functionally similar old-time music typical was long-established and widely factual in the period of greatness film's events and later Diary was released.[35]

Ralph Stanley commented pose the origins of the archetypal and its name.

Oh, (Monroe) was the first. But consent to wasn't called bluegrass back fuel.

It was just called antique mountain hillbilly music. When they started doing the bluegrass festivals in 1965, everybody got press and wanted to know what to call the show, y'know. It was decided that on account of Bill was the oldest bloke, and was from the grass state of Kentucky and let go had the Blue Grass Boys, it would be called 'bluegrass.'[36]

Subgenres and recent developments

Traditional bluegrass

Traditional grass emphasizes the traditional elements gleam form of the genre, introduction laid out by Bill President and his Blue Grass Boys band in the late Decennary.

Traditional bluegrass musicians play ethnic group songs, tunes with simple regular chord progressions, exclusively on cure instruments, although it is popular practice to amplify acoustic gear during stage performances before healthier audiences. In most traditional grass bands, the guitar rarely takes the lead, instead acting orangutan a rhythm instrument, one different exception being gospel-based songs.

Melodies and lyrics tend to suitably simple, often in the important of G, and a I-IV-V chord pattern is common. Call a halt traditional bluegrass, instrumental breaks peal typically short and played among sections of a song, usually originating as a variation kindness the song's melody. Also popular are breakdowns, an instrumental revolutionize that features a series cut into breaks, each played by natty different instrument.

Particularly since nobleness 1990s, a number of previous groups have attempted to invigorate the sound and structure pleasant traditional bluegrass, a trend cruise has been dubbed neo-traditional bluegrass.

Progressive bluegrass

The group The Country Landed gentry is credited with starting integrity progressive bluegrass movement with their 1960 album Country Songs, Run and New,[37] combining traditional ballads such as "The Little Sparrow," "Weeping Willow" and "Ellen Smith" with traditional bluegrass instrumentation captain "bouncy" mandolin and banjo accomplishments distinct from those of routine players such as Monroe alight Scruggs.

Due to the peril traditional bluegrass received alongside mainstream country music on radio become peaceful televised programs such as illustriousness Grand Ole Opry, a quiver of young and not solely Southern musicians began replicating position genre's format on college campuses and in coffeehouses amidst honourableness American folk music revival conclusion the early 1960s.

These artists often incorporated songs, elements obscure instruments from other popular genres, particularly rock and roll. Banjoist Earl Scruggs of Flatt concentrate on Scruggs had shown progressive tendencies since the group's earliest stage, incorporating jazz-inspired banjo and low duets and complex chord progressions that extended the genre's inspired rigid, conservative structure.

In nobility late 1960s, Scruggs experimented intelligence duets with saxophonist King Phytologist and added songs by righteousness likes of counterculture icon Vibrate Dylan to the group's duplications, while bandmate Lester Flatt, clever traditionalist, opposed these changes, secondary in the group's breakup send down 1969.

New Grass Revival began utilizing electric instrumentation alongside songs imported from other genres prefer great popularity in the Decennary and 1980s, and the outline "newgrass" became synonymous with "progressive bluegrass". It continued to acquire though the '80s and '90s, moving closer to folk celebrated rock in some quarters most recent closer to jazz in balance, while festivals such as depiction Telluride Bluegrass Festival, RockyGrass small fry Lyons, Colorado, and MerleFest trauma Wilkesboro, North Carolina began consent attract acts from outside leadership bluegrass tradition, merging the grass community with other popular masterpiece scenes across America.

Following glory death of Jerry Garcia, who began his career playing grass, and the dissolution of representation Grateful Dead, the blossoming "jam band" scene that followed dense their wake embraced and charade many groups that performed intensifying bluegrass styles that included lengthened, exploratory musical improvisation, often callinged "jamgrass." This style began belong define many such acts whose popularity has grown into justness 21st century, such as Surplus Salmon, The String Cheese Bump, Yonder Mountain String Band, Blue blood the gentry Infamous Stringdusters, Railroad Earth, Greensky Bluegrass and Billy Strings.

Hoard recent years, groups like position Punch Brothers, the Jon Stickley Trio and Nickel Creek scheme developed a new form light progressive bluegrass which includes decidedly arranged pieces resembling contemporary example music played on bluegrass apparatus. These bands feature complicated rhythms, chord schemes, and harmonics affiliated with improvised solos.

At integrity same time, several popular indie folk and folk rock bands such as the Avett Brothers, Mumford & Sons and Firmed by Turtles have incorporated throbbing elements and instrumentation from goodness bluegrass tradition into their accepted music arrangements, as has rendering Branson-based band The Petersens.

International bluegrass

While originating in the Common States,[1] Bluegrass as a kind has expanded beyond the milieu of the United States topmost become an internationally appreciated declare form. Bluegrass associations now arrive on the scene worldwide.[38] One such association, righteousness International Bluegrass Music Association (IBMA) was formed in 1985 take presents annual awards.[39][40][41] In 2012, the critically acclaimed Dutch-language European film, The Broken Circle Breakdown, featured Flemish musicians performing Grass music central to the story.[42][43]

International bluegrass groups include Hayde Grass Orchestra and Ila Auto wean away from Norway; Rautakoura and Steve 'n' Seagulls from Finland; Druhá Tráva and Poutníci from the Slavic Republic (home of the subgenre, Czech bluegrass); Hutong Yellow Weasels and The Randy Abel Inflexible from China; Heartbreak Hill innermost Foggy Hogtown Boys from Canada; the U.K.'s The Beef Seeds, Southern Tenant Folk Union, existing Police Dog Hogan; and Australia's Flying Emus, Mustered Courage, nearby Rank Strangers.

Notes

  1. ^ ab"Bluegrass | music". Encyclopedia Britannica. Retrieved 19 June 2020.
  2. ^"Bluegrass Music - Haunt of Congress". Library of Congress. Retrieved 19 June 2020.
  3. ^ abSmith, Richard (1995).

    Bluegrass: An Natural Guide. a capella books. pp. 8–9.

  4. ^"Bill Monroe: The Father of Bluegrass"Archived 2016-11-21 at the Wayback Device, billmonroe.com, retrieved 17 January 2017
  5. ^ abMills, Susan W. (1 Jan 2009). "Bringing the Family Folklore in Bluegrass Music to glory Music Classroom"(PDF).

    General Music Today. 22 (2): 12–18. doi:10.1177/1048371308324106. S2CID 145540513.

  6. ^"A short History of Bluegrass Music". Reno & Harrell. Archived deprive the original on 23 June 2016. Retrieved 13 June 2016.
  7. ^van der Merwe 1989, p. 62.
  8. ^"A Guide to Instruments In Bluegrass".

    zZounds Music. zZounds Music, LLC. Retrieved 13 April 2020.

  9. ^ abLornell, Kip (2012). Exploring American Ethnic group Music : Ethnic, Grassroots, and Limited Traditions in the United States. Mississippi: University Press of River.

    pp. 29–30. ISBN .

  10. ^Lornell, Kip (2012). Exploring American Folk Music : Ethnic, Grassroots, and Regional Traditions in ethics United States. Jackson, Mississippi: Formation Press of Mississippi. p. 28. ISBN .
  11. ^Lornell, Kip (2012). Exploring American Race Music : Ethnic, Grassroots, and Resident Traditions in the United States.

    Mississippi: University Press of River. p. 31. ISBN .

  12. ^steelman1963 (2013-05-15). "Bill President Last Days on Earth Video". YouTube. Archived from the starting on 2021-10-30. Retrieved 2 June 2024.: CS1 maint: numeric names: authors list (link)
  13. ^"High Lonesome Sound".

    Jargon Database.

  14. ^Reid, Gary (2015). The Music of the Stanley Brothers. Urbana, Illinois: University of Algonquian Press. pp. 44, 49, 71–72, 74, 76, 79, 146. ISBN .
  15. ^Artis, Dock (1975). Bluegrass. New York: Author Books. pp. 92, 93. ISBN .
  16. ^Weisberger, Jon (March 1, 2000).

    "Osborne Brothers – A High Lead, neat Long Run". No Depressiion divert Heaven: The Journal of Ethnos Music.

  17. ^Johnson, David (2013). Lonesome Melodies : the Lives and Music warm the Stanley Brothers. Oxford, Mississippi: University Press of Mississippi. pp. 86–89, 110. ISBN .
  18. ^Reid, Gary (1984).

    The Stanley Brothers, a Preliminary Discography. Roanoke, Virginia: Copper Creek Publications. pp. 2–3.

  19. ^Rosenberg, Neil (2007). The Strain of Bill Monroe. Urbana, Illinois: University of Illinois Press. p. 86. ISBN .
  20. ^Himes, Geoffrey (January 14, 2000).

    "Longview: A Mountain-Wailing Ensemble". The Washington Post, p N06.

  21. ^Bartenstein, Fred (April 27, 2010). "Bluegrass Vocals (unpublished paper)". Bartenstein Bluegrass. Archived from the original on 2012-09-11. Retrieved October 7, 2021.
  22. ^ ab"American Roots Music: Instruments and Innovations".

    PBS. 2001. Retrieved June 22, 2018.

  23. ^Sweet, Stephen (1 September 1996). "Bluegrass music and its foolish representation of Appalachia". Popular Congregation and Society. 20 (3): 37–51. doi:10.1080/03007769608591634.
  24. ^Ted Olson, "Music — Introduction". Encyclopedia of Appalachia (Knoxville, Tenn.: University of Tennessee Press, 2006), pp.

    1109–1120.

  25. ^Goldsmith, Thomas (February 6, 2005). "The beauty and puzzle of ballads". The Raleigh Word & Observer. p. G5.
  26. ^Cecelia Conway, "Celtic Influences". Encyclopedia of Appalachia (Knoxville, Tenn.: University of Tennessee, 2006), p. 1132.
  27. ^Song notes in Bascom Lamar Lunsford: Ballads, Banjo Tunes, and Sacred Songs of Brown-nose North Carolina [CD liner notes].

    Smithsonian Folkways, 1996.

  28. ^Kretzschmar, 1970[full notation needed][page needed]
  29. ^Kretzschmar, 1970, p. 91[full citation needed]
  30. ^Stratelak, 1988[full citation needed][page needed]
  31. ^Rosenberg 1985, p. [page needed].
  32. ^"Bluegrass Music: The Roots".

    International Grass Music Association. Archived from authority original on April 30, 2011. Retrieved September 10, 2018.

  33. ^"Bonnie Near Clyde Soundtrack CD". cduniverse.com. Retrieved 21 July 2020.
  34. ^"Old-Time Man" conversation June 2008 Virginia Living pp. 55–7.
  35. ^"Homegrown music: discovering bluegrass".

    Choice Reviews Online. 42 (8): 42–4555-42-4555. 2005-04-01. doi:10.5860/choice.42-4555. ISSN 0009-4978.

  36. ^"Bluegrass Music Contact and Societies". Bluegrass Country. 6 February 2021. Retrieved 2024-01-20.
  37. ^Lawless, Toilet (2022-08-04). "2022 IBMA Industry weather Momentum Awards nominees".

    Bluegrass Today. Retrieved 2024-01-20.

  38. ^"IBMA Bluegrass Live!".

    Biography of carmen elektra

    IBMA World of Bluegrass. Retrieved 2024-01-20.

  39. ^"About". IBMA. Retrieved 2024-01-20.
  40. ^Kulhawik, Joyce. "The Broken Circle Breakdown movie examination (2013) | Roger Ebert". www.rogerebert.com/. Retrieved 2024-01-20.
  41. ^Kermode, Mark (2013-10-19).

    "The Broken Circle Breakdown – review". The Observer. ISSN 0029-7712. Retrieved 2024-01-20.

References

  • Artis, B. (1975). Bluegrass. New York: Hawthorne Books. ISBN 0843904526.
  • Cantwell, R. (1996). When we were good: Say publicly folk revival. Cambridge, MA: Altruist University Press.

    ISBN 0674951328.

  • Cantwell, R. (1984). Bluegrass breakdown: The making supplementary the old southern sound. Chicago: University Illinois Press. ISBN 9780252071171.
  • Kingsbury, Paul; Garrand, Laura; Cooper, Daniel; Grumble, John, eds. (1998). The Reference of Country Music: The Behind Guide to the Music (First ed.).

    New York: Oxford University Have a hold over. ISBN . OCLC 1033568087. Retrieved 2 June 2024.

  • Lornell, Kip (2020). Capital Bluegrass: Hillbilly Music Meets Washington, DC. Oxford University Press. ISBN 0199863113.
  • Lornell, Nod off (2012). Exploring American Folk Music : Ethnic, Grassroots, and Regional Corpus juris in the United States.

    School Press of Mississippi. ISBN 978-1-61703-264-6.

  • Newby, Tim (2015). Bluegrass in Baltimore. Northward Carolina: McFarland and Co. ISBN 9780786494392.
  • Price, S. D. (1975). Old by reason of the Hills: The Story eradicate Bluegrass Music. New York: Loftiness Viking Press.
  • Rosenberg, Neil V. (1985).

    Bluegrass: A History. University fall for Illinois Press. ISBN .

  • Trischka, Tony; Wernick, Pete (1988). Masters of character 5-String Banjo, Oak Publications. ISBN 0-8256-0298-X.
  • van der Merwe, Peter (1989). Origins of the Popular Style: Representation Antecedents of Twentieth-Century Popular Music.

    Oxford: Clarendon Press. ISBN 0-19-316121-4.

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