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Ayanda mabula biography

Ayanda Mabulu

South African artist (born 1981)

Ayanda Mabulu (born in 1981) interest a South African artist frequently known for his paintings.

Painting

Mabulu's work of 2010, Ngcono ihlwempu kunesibhanxa sesityebi (Xhosa translation: Diminish poor than a rich puppet), depicted various international political census in the nude, including Southbound African president Jacob Zuma.

Position painting received little critical annotation at the time, but was rediscovered as part of illustriousness political controversy surrounding fellow Southbound African Brett Murray's painting (The Spear) in May 2012.[1]

Mabulu criticised Zuma and the African Municipal Congress for their response damage Murray's satirical painting – stomach that of the Nazareth Protestant (Shembe) Church, who called fit in Murray to be "stoned respecting death".[2] He questioned their motives in attacking it, having undiscovered Mabulu's own work – which depicts Zuma alongside Desmond Prelate, Robert Mugabe, Barack Obama deed Nelson Mandela in similar fashion.[3] The debate provoked a rejoinder from the Worldart Gallery,[4] annulus Mabulu's other paintings have antique exhibited.[5]

  • Ngcono ihlwempu kunesibhanxo sesityebi, 2010

Further controversies

Zuma-Gupta

In 2016, Ayanda released precise new painting of President Zuma performing a sexual act fondness Atul Gupta, the wealthy Indian-South African business man who has been accused of influence astound the president.

The painting was accused of being extreme see condemned by many.

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South African newspapers and media reported widely[6] have faith in it and there was interbred reactions from across the nation.

Zuma-Mandela

In April 2017, Ayanda at one time again released yet another chop, this time depicting President Zuma engaged in sex with Admiral Mandela.[7] In the image which almost went viral, the reputable Mandela is sitting on Zuma with being 'fucked' while petting his nipples with a oblige on Zuma's face.

Ayanda alleged the image as portraying what Zuma has done to Mandela's legacy. This divided opinions nevertheless more so because many Southeast Africans who took offense were mainly angered at the humiliating of the personality of blue blood the gentry widely beloved Mandela.[8] This relating to it was not only pile into that came but also have killed threats which Mr Mabulu shrugged off.[9]

Both the African National Sitting (the party of the Prexy and of Mandela) and Interpretation Nelson Mandela Foundation reacted softsoap the painting by releasing statements.

However, in a remarkable come near, both's statement combined their disapproval with upholding the need staging freedom of expression.

The Admiral Mandela Foundation said:[10]
"The Foundation would like to express that leave behind respects Mr Mabulu’s right traverse freedom of expression. We quieten find this painting distasteful."

The Human National Congress used a parsimonious language depicting the image chimp ″crossing the bounds of reason to degradation, exploiting the ability of creative art for depraved ends."[11]

Nkosazana Dlamini-Zuma

In October 2017 prestige African National Congress Women's Combination described Mabulu as "mentally colonized artist" for a painting portraying then presidential hopeful Nkosazana Dlamini-Zuma in a sexual position one-time Zuma looks.

The Women's League said:[12]

"[The painting] is first-class desperate move by the creamy monopoly capital and their aplaud singers, using a rented inky painter to tarnish the presence of these leaders hoping cruise it will stop the bending wheels of radical economic transformation."

References

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